Yorkshire Sculpture Park – A Walk in the Yorkshire Wolds

A weekend up north in Yorkshire staying in Wakefield, home of the Hepworth Wakefield and the Yorkshire Sculpture Park. Home to Barbara Hepworth and Henry Moore. The first day is the Sculpture Park – 500 acres of rolling rural north. Entry is free and the park is well used and walked. Even a wedding. Plus dogs galore. So much to see that we missed the Caro exhibition in one of the galleries!

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Henry Moore ‘Reclining Figure: Angles’ 1979
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Henry Moore
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Barbara Hepworth ‘The Family of Man’ 1970
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Elizabeth Frink ‘Judas’
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Ursula von Rydingsvard ‘Dampski Czepek’ 2006 – amazing work built in cedar and a resin mould made – transluscent. The photo does it no justice. Based on a woman’s bonnet.
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William Pye ‘Offspring I’ 2000 – in the Camellia House.
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In the Camellia House.
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Elizabeth Frink’s ‘In memorium II’ 1981 – in the Camellia House
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Sophie Ryder ‘Sitting’ 2007
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Sophie Ryder ‘Sitting’ 2007
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Richard Long – by the Upper Lake
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Oppenheim’s ‘Trees’ – from Alternative Landscape Components, investigates relationships between natural and artificial environments.
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Henry Moore
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Henry Moore
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Final view.
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Boat House, Upper Lake – JocJonJosch is an Anglo-Swiss-Slovakian collective of Joc Marchington (b. London, England, 1976), Jonathan Brantschen (b. Fiesch, Switzerland, 1981) and Joschi Herczeg (b. Bratislava, Slovakia, 1975).
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Waterway in the woodland walk.
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Anthony Caro’s ‘Promenade’ 1996 with Bretton Hall in the background.
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Antony Gormley’s ‘One & Other’ 2000 – usually based on casts of his own body.
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Superb.
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New Zealand artist Asha Munn’s ‘ Fly Away Home’.
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Jonathan Borofsky ‘Molecule Man 1+1+1’ 1990 – ask questions about human life.
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Magdalena Abakanowicz’s ‘Ten Seated Figures’
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Poppies: Wave – from the Wave Installation at Tower of London
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Decoration on a bridge.
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James Turrell – Deer Shelter Skyspace – this was the best surprise of the day. Consists of a large square chamber with an aperture cut into the roof. Through this aperture the visitor is offered a heightened vision of the sky, seemingly transformed into a trompe l’oeil painting.
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Henry Moore ‘ Large Two Forms’ 1966–69

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